Apr 27, 2016

A Creative Mind

Published in Personal
Honestly, sometimes I feel drained of my creative juices... I feel like I get stuck in routine which leaves me feeling less then inspired. Whenever I need to feed my creative side, I try and make it a priority to take the time to do just that. No matter how busy I am or how many things are on my plate to complete, I know the importance of staying inspired and creating things... whether it's creating new ideas, writings, photos or whatever it may be. One of my favorite things is spending some time outside. Stepping away from the editing and emails and soaking in Mother Nature's details. Pouring a cup of coffee and going for a walk outside helps clear the monotony that can come with running a business and the daily tasks of life and lets the creative side of my mind race.  
 
I came across this list on Pinterest and just love it. However, I think #34 should be "Go For A Walk Outside" Amiright?! : )  
 
Happy Wednesday!
A Creative Mind
For Photogs: Proactive and Prepared
Apr 19, 2016

For Photogs: Proactive and Prepared

Published in For Photogs
Last week I wrote about some tips for second shooters, one of which was being proactive. I have blogged about the importance of being proactive on a wedding day as a second and lead photographer before and thought it was worth mentioning in a little more detail again! :)  
 
When I was in advertising one of the most important things I quickly learned I need to be was proactive. With my clients, with my boss, and with the everyday challanges I could foresee coming. Being 20 steps behind and reactive to the challanges I should have seen coming definitely made my 9-5 so much harder. When I began second and third shooting with other photographers this was a skill that not only came in handy, but was necessary... Like jelly to a peanut butter and jelly sandwich, you just have to have it. Shooting with another photographer without being ahead of the game just didn't work. I needed to know where we were on the timeline, what location we were going to next, what equipment the photographer needed, what bags needed to be packed, what lights would be used next, and the list goes on....  
 
Now being the lead photographer, I rely on Chris to proactively help me with what I will need and I can focus on being proactive in a different way. Having a second photographer that has my back, knows my train of thought along with my half sentences and weird hand gestures, and is working with me towards a common goal allows me to focus on the present and future. It's kind of like sailing a ship. Because I am not focused on pulling in the sails and making sure the ropes are organized, I can look forward to what is coming in the water ahead and prepare. Being proactive on a wedding day is crucial and definitely helps the day run more smoothly. 
 
One example of being proactive is knowing exactly where the bride is going to get ready and making sure that spot is ready before she is ready to get dressed. Sometimes the room where the bride is getting ready has suitcases all over and champagne glasses lining the window sill where the amazing light is you would like her to stand by. Once I am done capturing her makeup getting done, details, and her bridesmaids interacting I make sure that the space where I want her to be while she gets in her dress is clear and tidy. This way as soon as she is ready I can bring her to the spot and not waste any time. Being ahead of the game can help prevent time from being wasted cleaning up while the bride waits on you, having to shoot in a place that is not ideal because its the only clean spot, and you having to get creative and crop out certain items laying on the floor as you photograph her getting ready. Being proactive like this does take extra effort, but for me it is totally worth it. And totally worth not having the stress of feeling out of control and being reactive to every hiccup. 
 
On a wedding day, more often then not, something does not go as planned. Whether things are running late, the family doesn't all show up to the family photo location, the buses are behind, or the weather is not ideal. You can plan out every last detail, but it doest always work out that way. This is when being a proactive and problem solving photographer is so important. Seeing and thinking about the implications of a curve ball further in advance can help you come up with another solution and adjust the game plan. That way when the ball comes, you can seamlessly have planned for it or present your couple with another solution without them having to stress or think about what to do. And again, having a second photographer or assistant who is proactively thinking along side you is BEYOND helpful. 
 
So here's to being 10 steps ahead of the game... To knowing what's next and seeing those potential curveballs, hiccups, and your couple's needs in advance and planning accordingly.
Apr 15, 2016

For Photogs: Tips for Second Shooters

Published in For Photogs
I have been on both sides. I have worn the hat of second shooter for different lead photographers and for years have been a lead photographer with a second shooter. For that early chapter in my photography career when I was a second shooter I learned so much about my craft and bits and pieces of things I wanted to incorporate one day into my own photography business and others I wanted to do differently. It was a wonderful experience and one I am so grateful for as it helped lay the foundation for where I am today as a photographer! 
 
Today I wanted to share some things that in my opinion make for a strong second shooter. Oh how I learned the importance of these things early on as I second shooter and now truly value in Chris as we shoot together! 
 
Be Proactive. Dare I say it, I have found being proactive as a second shooter is one of the most important and useful qualities if not THE most important. As a second shooter, most of the time you are in a supportive role to the lead shooter. You may be asked to carry bags and equipment, keep track of the timeline, help gather and organize family for photos, etc along with photographing the events of the day from new and alternative angles from the lead shooter. It's thinking AHEAD of what is coming up and what the needs will be for the lead shooter. This may include knowing what camera and lens the lead photographer will need to switch to in order to shoot upcoming family photos and getting that out and ready. Or it may be knowing they will need the light stand set up before the reception starts and getting that done. It could be having directions and gps programed for the next destination or photographing the flower girl off to the side twirling in her dress as the lead shooter is capturing candids of the bride and her father. Whatever it is, it's about 1) thinking proactively about what the needs will be and helping problem solve for any hiccups that arise in order to make things go more smoothly for the lead photographer 2) along with documenting the day from a different perspective. More on this coming in an upcoming blog post! 
 
Representing the Lead Photographer's Studio. You may not second shoot with just one photographer, but maybe a few different lead photographers. However, regardless of who you are shooting with at the time, you are indeed accompanying that lead photographer's studio. It's important to conduct yourself professionally which includes wearing appropriate attire that blends in well with the lead photographer's style and the guests. So don't be afraid to ask the photographers you are shooting with ahead of time what the appropriate attire is as some studios dress more formally and others much for casually. 
 
Because you are representing the studio you are accompanying, DO NOT hand out your own business card. When I was a second shooter, I would be asked for my business card from time to time and would let the guest or vendor who was asking know that I was second shooting with XXX studio that wedding and would provide them with the lead photographers card if they wanted one. 
 
Leave Your Ego At the Door. I think this goes without saying, but it's important to remember that as a second shooter you are there to make things easier for the lead photographer and capture the day from new angles. It can be frustrating not being able to photograph bridal portraits because you are packing the bags or missing the money shot of the first kiss because you are off to the side shooting. But I can say that this is where I really grew as a photographer when I was second shooting... Instead of getting frustrated, I worked with what I could and the angle I was shooting from. I looked at it as a personal challenge to try and get the most beautiful photo I could regardless of the condition and limitations I had because I wasn't the lead. Documenting weddings over and over again not from the main or best angles helped me become a stronger photographer because I had to look for different light, different backgrounds, different perspectives. This has helped me as a lead photographer to know that the main obvious angle may not always be the most intriguing and beautiful, taught me to think outside the box while shooting and helped me give direction to second shooters. But all this was possible by leaving my ego at the door and embracing and knowing what I was there to do as a second shooter. 
 
Smiles Upon Smiles. Sometimes things can get a little stressful during a wedding day, but oh how the power of a smile can effect things. This is one of the things I love about Chris - he is never short on smiles or a cheerful disposition! It's easy for me to get that "thinking something through" and problem solving look on my face during a wedding day. But lets be honest, that "deep in thought" face may look like I'm not happy or having fun. It's important to know that wedding guests are looking at us even when we may not realize it and the look on our faces can reflect their perception of our desire to be there, our brand etc. If we look frustrated or tired it may seem like we don't want to be there, which couldn't be further from the truth! Not to mention, as a second shooter, your smiles and attitude can help and effect the lead photographer's stress level and attitude. Chris smiles are definitely contagious! :) 
 
Here are some pics of the best second shooter a photographer you could ask for!! Okay I know I am slightly biased, but I couldn't do this without him! :)
For Photogs: Tips for Second Shooters
FAQ: How Do I Find Second Shooting Opportunities?
Apr 12, 2016

FAQ: How Do I Find Second Shooting Opportunities?

Published in For Photogs
Hi Ashley!!  
I am just getting started into wedding photography (well, really, photography in general- have been doing families and babies for the last few months and have just started "interning" as a wedding photographer with the lovely lady who did my wedding). I just watched your showit interview from today- loved it, thank you so much for doing that!! :) I had one follow up question from your video! I am interested in doing a lot of second shooting this/next season, and I am struggling a bit to find those opportunities (or more so, to know what to say to photographers to ask about it) and was wondering if you might tell me a little about that process for you and how you got those "gigs". :)  
 
Thank you SO much for your time (and...your puppy is so so adorable!!!!) :) 
~ Eager to Second Shoot
 
 
 
Dear Eager to Second Shoot, 
Thank you for the kind words and for the great question! It's one I often get asked. That is so exciting that you getting into wedding photography and I think second shooting is an excellent way to get your feet wet! In the very beginning, I actually third shot (there was already a second shooter, so I was the third : ) ) with a wedding photographer and other photogs that I had met while planning my wedding! As far as approaching photographers to ask about second shooting opportunities, I honestly don't think there is one way to go about doing it however I do have some things that I have found are helpful to keep in mind: 
 
- Assisting, just like shooting, can be educational. When I first started I was desperate to learn anything and everything I could about wedding photography. I was willing to second shoot or fifth shoot - it didn't matter, I just wanted to learn. : ) I carried bags, set up light equipment and went to weddings where I didn't pick up the camera once. And I learned A TON through observation about the flow of a wedding day, client interaction, setting up lights, etc. I framed photos in my mind's eye, practiced identifying great light, and looked for great angles. I am so happy that this was part of my learning process because it formed a great foundation layer. So even if you are not shooting in the beginning and are just assisting, it can be super educational! I quickly became a third shooter and then a second shooter for one key photographer I had been assisting. So don't be afraid to offer to assist a photographer to get your foot in the door! Both of the photographers I second shot with talked to me about my goals early on and so I had the opportunity to discuss with them my desire to shoot at some point and not just assist forever. : ) 
 
- Write a specific and personalized email. I don't recommending sending out a mass generic email reaching out to photographers you wanted to inquire about assisting/second shooting with. I recommend picking 5 photographers that you really respect and whose work you love in your area. I would write them each a personalized email telling them specifically what you like about THEM and why you would love the opportunity to assist THEM. Tell them how eager you are to learn and ask for the opportunity to assist. I would be sure to tell them what you can bring to the table (assisting, carrying bags, etc) for them. For me, some of the photographers paid me for my assistance /second shooting and other times they provided me with mentor sessions in exchange for my time, which is why I recommend to reaching out to photographers you love and admire! Some may not pay or mentor you, so it's up to you if that is what you are looking for or just the experience and chance to shadow. 
 
- Look within your local network. There are so many wonderful local photography groups and networks, which can be a great resource especially when it comes to second shooting opportunities. Not only can you reach out to photographers in the group that you know and would love to shoot with, but sometimes photographers will post within the group's social media outlets like the group Facebook page, for example, specific weddings they are looking for an assistant/second shooter for. This can be great for having the opportunity to work with all different photographers and their different shooting styles In addition, you could even write a post putting it out there you are looking for second shooter opportunities.  
 
- The "NO's" will come. It's okay, and goodness knows I received my fair share. Not every photographer is looking for an assistant of another shooter, so don't let a no stop you from reaching out to other folks in the industry! Sometimes it takes time to find these kinds of opportunities with a great match. However, in the end it is worth all the time and effort especially if wedding photography is what you want to do!! 
 
Hope this is helpful!!! : )
Apr 7, 2016

A Love Like Theirs

Published in Personal
The DJ announced that it was time for all the married couples to join the newlyweds on the dance floor... One by one each couple grabbed their partner's hand and found a spot on the floor. The slow song began to play and I scanned the crowd to find the one couple I knew I wanted to make sure to get a photograph of dancing during this song. But I didn't see them. I looked to my left and sure enough there at the table right by the floor, the two sat smiling from ear to ear watching the couples sway from side to side in one another's arms. "If you have been married for more then 5 years, please stay on the dance floor..." The DJ's instructions only resulted in a few folks leaving the dance floor. I leaned over towards the couple still sitting at their table and with a smile I said, you two should be up there dancing... As if they had been waiting for an invitation, they looked at one another and without waiting another second, he gently took her hand and escorted her to the dance floor. Now they realized it was the anniversary dance as the DJ announced for couples married for 30 years to remain on the dance floor.  
 
I couldn't help but watch the couple and notice how truly happy they were. They had their arms gently around one another and without saying a word he just smiled and made her laugh as he spun her around slowly. I remember thinking at that very moment, that I was in the presence of love in its purest form. I was witnessing everlasting love. THIS is the kind of love that I think everyone desires. It's not fancy or showy, its not boastful or pompous. It's sweet and gentle. It's a happiness that pours out from the couple and is indescribable to those witnessing it. Before I knew it, the dance floor was cleared except for the one couple as the DJ announced "...more then 50 years, more then 55 years..." Finally he asked how long they had been married and the husband exclaimed as if he had been waiting for someone to ask, "65 years!!!" He looked at this wife, pulling her in close and hugging her as she nodded in agreement. It was a moment I won't ever forget. It was an everlasting love. 
 
Their dance was over three years ago and is still one of my favorite wedding day memories...
A Love Like Theirs
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